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Can You Do Two Things at Once?

Wednesday, April 6th, 2011
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I hope everyone who’s at the RT Convention is having a terrific time. Those of us who are staying home just have to find our own great time – and for me, that means keeping company with an excellent book. That’s a single book. One at a time. Not several that I’m in the middle of reading. At least not if the books are fiction, and that’s pretty much all I ever read.

Okay, maybe I just have poor powers of concentration, and I will freely admit to having a terrible memory. Friends tease me about my lists – but if I didn’t write things down, chances are I’d never remember!

But when it comes to reading, I honestly think it’s more that I like to totally immerse myself in the story world and live it along with the characters. If I jump from one story world to another, it’s too confusing and for me the experience seems diluted.

I’m the same with my writing. I write one book at a time. I can pull out of one book for short, intense periods of time – like to spend three days blitzing copy-edits or page proofs of a different book – but that’s it.

How about you? As a reader or a writer, do you concentrate on one at a time, or enjoy going back and forth?


By the way, I have some “hot off the press” news. I’m delighted to announce that my two 2010 Bravas, His, Unexpectedly and “Tattoos and Mistletoe” in The Naughty List, are both winners of the Gayle Wilson Award of Excellence, one for Contemporary Romance and one for Romantic Novella. Lots of happy dancing going on at my house!

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Should Art Be Free?

Wednesday, March 9th, 2011
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This weekend I participated in a writing and publishing workshop at the local library. In general, it was a wonderful experience. But one thing upset me.

Before I get into what it was, I’ll mention that I’m Canadian and this was a Canadian event. If we’d been in the US, maybe things would have been different. Or maybe not. Let me know what you think.

So, here was the thing. Some people seemed to believe that: (1) it’s extremely unlikely that any Canadian fiction writer will ever make a living (albeit a modest one) from their writing; and (2) there’s something rather unseemly about even thinking about your writing in terms of making money.

Excuse me?

Writing is an art, like painting, music, theatre, dance, film. Society needs art. Arguably, it needs artists as much as it needs hairdressers, dental hygienists, and chocolate-makers. All of whom get paid for their work (I know this for a fact, because I pay all of them). But artists are supposed to do it for free? It would be sort of rude and lower class to actually ask to be paid, much less to perhaps make a living?

So I suppose the idea is that we writers should spend 7-8 hours a day, 5 days a week, styling hair or cleaning teeth or making chocolates (hmm, that one might not be so bad…) in order to make a living, which will support our cute little artistic hobby of producing novels (or lovely music, paintings, theatre, etc.).

Seriously? How many books would your favorite author produce if she/he could only spend a couple of days a week at it versus writing full time?

Now of course not every author who puts out one book a year, or three, or even ten, is guaranteed of making a modest living. So many factors go into determining an author’s income. But shouldn’t it be possible – shouldn’t it be a reasonable business objective – to make a living? Why on earth should that be ridiculously optimistic, or unseemly?

And does this perhaps tie into an attitude of entitlement on the part of consumers – an increasingly prevalent belief that entertainment (the arts) should be free? How else can you explain sites where books and music are pirated (i.e., stolen)? Those consumers obviously believe that authors and musicians should not be paid for their work, they should simply do it in their spare time out of the goodness of their creative hearts, to provide delight to their audiences.

Actually, that would be quite lovely – if someone else was paying for the rent, the groceries, the kids’ education, the dental bills, etc. etc. If society gave generous grants to artists to produce, then perhaps artists could afford to send their creations out into the universe free of charge. I quite love that vision of the world. Unfortunately, it’s not the world I live in. In my world, authors and other artists must make a living just the same as hairdressers, dental hygienists, chocolate-makers, and pretty much everyone else.

Is it wrong to hope that creating art can be a career and business versus a cute little hobby?

What do you think?

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Categories : Susan Fox

When Indiana Jones Met Ally McBeal

Wednesday, February 9th, 2011
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One of the most fun things about being a romance writer is that you can take people with totally different personality types, put them together, and see what happens.

In my February book (the third in my Wild Ride to Love series), I pair Indiana Jones and Ally McBeal. Well, okay, not actually. And no, I’m not talking about Harrison Ford and Calista Flockhart’s real-life romance. I’m talking about character types.

Indiana Jones is fascinating, isn’t he? He’s a professor, so you’d think he might be a little stuffy and academic. And he is, but he’s so much more, because he’s also an adventurer who has a sense of mission. He’ll go into the jungle, he’ll even brave snakes in his single-minded drive (or might we say obsession?) to achieve his goal.

Mark Chambers, the hero in my February Brava, His, Unexpectedly, is a lot like Indy. He’s a dedicated marine biologist who has a strong sense of mission. He has devoted his life to saving the ocean and its creatures, and he travels all over the world to do it. Like Indy, he doesn’t spend much time goofing off, doesn’t have much of a sense of humor, and really needs to lighten up.

So, how do you lighten up a guy like that? You send him a free spirit. Someone who’s eccentric, vibrant, impulsive, passionate, charming, and a hell of a lot of fun to be around. Kind of like Ally McBeal.

Heroine Jenna Fallon thinks of herself as a butterfly, drifting from place to place, job to job, man to man, with no intention of settling anywhere. She’s definitely not stupid and she’s not a total flake – she helps autistic kids and surveys endangered species – but her life lacks the sense of purpose that Mark’s does.

Are you getting a picture of how much fun I had with these two? Of course they both had a lot of self-examination and growing to do, but they sure had a great time on their wild ride to love!

I’m thrilled that Publishers Weekly ranked His, Unexpectedly as one of the Top 10 Romances for spring. In a starred review, they called it “a contemporary love story sure to make readers go weak in the knees” and said, “Well-crafted story lines and richly observed characters bolster a strong erotic element in this delightful, memorable romance.”

I’m giving away a copy of the book to someone who comments. Talk to me about character types that appeal to you, ones that drive you crazy, books or movies that put interesting combinations together, or anything else that strikes your fancy! Tell me if you think Harrison Ford is a lot like Indy, and if Calista Flockhart is like Ally, and if they make a good match.

Here’s an excerpt from Mark and Jenna’s first meeting. Her car has broken down and she comes into Marianne’s Diner, sits beside Mark, charms him into sharing a slice of fresh strawberry pie (with whipped cream, of course), then asks him for a ride to Vancouver because she can’t afford the car repairs.

“Put it on a charge card.” He wasn’t a fan of running up credit, but that had to be better than hitching, or bumming a ride with a stranger like him. Not that he wasn’t boringly trustworthy, but Jenna had no way of knowing it.

“No charge card,” she said airily. “I don’t believe in them. If I don’t have the money to pay for something, I don’t need it.”

A good philosophy. And yet she believed in taking rides from strangers. This was one of the oddest women he’d met in a long time. Along with being the hottest and most bewitching.

“How do you know I’m not a serial killer?” he asked.

She grinned. “Serial killers don’t share pie with their victims.”

He frowned at her frivolity. “You just met me.”

“Your camper’s awfully cute.” She flicked her head in the direction of the parking lot.

He had to admit the Westfalia with all its environmental stickers looked pretty innocent. All the same, “Ted Bundy wore a cast and looked like the boy next door.”

She gave a long-suffering sigh. “Yeah, I’d probably have fallen victim to Ted Bundy. So, you’re telling me you are a serial killer? A serial killer who reads the Journal of Experimental Marine Biology and Ecology?”

He snorted. “Of course not.”

Her eyes twinkled. “So we’re good, right?”

She was incorrigible and she’d bedazzled him. Suddenly doubting his own judgment, he asked, “How do I know you’re not a serial killer?”

She chuckled. “Good one. Just when I was thinking you were too stuffy for words.”

He was. Again, she’d misinterpreted his serious question as a joke. Or was she avoiding answering? “Are you insulting me so I won’t notice you didn’t answer the question.”

Another chuckle. Dancing eyes. “A sense of humor, and smart too. As well as having a great bod.”

Huh? Yeah, he was smart, but he didn’t have a sense of humor and his body was . . . functional. And, at the moment, lustful. She’d been checking out his body? Or maybe she really was a criminal and this was another tactic to put him off guard.

Jenna turned to Marianne, who’d returned with the coffee pot. “Marianne, what’s your opinion? Do I look like a serial killer to you?”

The older woman chuckled. “Honey, if you do that boy in, I don’t think it’ll be with a knife.”

“Not all serial killers use knives,” he pointed out. The statistical odds were against the pretty blonde being a killer, but all the same . . . “And, though most serial killers are male, there have been a few female ones.” The thought crossed his mind that if he fell victim to Jenna Fallon, he well might die with a smile on his face.

A Sexy Road Trip

Wednesday, January 12th, 2011
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A very long time ago, I thought it would be fun to use “planes, trains, and automobiles” as the theme for sexy romance – because isn’t travel both sexy and romantic? (Okay, not all the time, but it always has that potential, and isn’t that what we all secretly wish for?)

That idea eventually grew into my Wild Ride to Love series, about three older sisters coming back to Vancouver from all around the world for their baby sister’s wedding.

In book 1, Sex Drive, when buttoned-up prof Theresa Fallon flies home from Sydney (via Honolulu), her seatmate just happens to be one of Australia’s 10 sexiest bachelors. And does Damien ever have inventive ways of loosening Theresa up and making those miles fly by! I was thrilled when Cosmo picked Sex Drive as its Red-Hot Read for May 2010.

In book 2, Love, Unexpectedly, it’s Kat’s turn, returning from Montreal by trains. Though she’s outgoing and popular, Kat has never found that one special guy. Her neighbour Nav, who’s madly in love with her, figures she’s just not looking in the right place – and if he plays “stranger on a train,” he’ll make her see him differently. To quote Publishers Weekly, “Fox takes readers on a wild train ride where passions flare and identities are mistaken in this emotionally compelling, sexy contemporary romance.”

In just a couple of weeks (January 25, to be exact), it will be Jenna’s turn, in His, Unexpectedly.

Jenna Fallon avoids commitment of any sort and prides herself on being a free spirit. So when her car breaks down en route from California to Vancouver, what could be more fun than to hitch a ride with a sexy stranger? She’ll show him one wild road trip.

Globe-trotting marine biologist Mark Chambers sure isn’t about to say no. Jenna bewitches and bedazzles him as they make their way up the Pacific Coast, camping, skinny dipping, and having scorching hot sex. But she bothers him, too. For the first time in his life, he wants commitment – and it’s with a woman who shuns the concept.

Can Jenna overcome deep-seated insecurity and believe what her heart tells her – that this wild ride has an unexpected and very special destination: love?

I’m thrilled to bits that Publishers Weekly gave His, Unexpectedly a starred review. They say, “Fox delivers a contemporary love story sure to make readers go weak in the knees… Well-crafted story lines and richly observed characters bolster a strong erotic element in this delightful, memorable romance.”

There will be a fourth book in the series, because my initial concept somehow grew into “planes, trains, automobiles, and a cruise ship.” (Those characters: they just take things over, don’t they?) Merilee’s story is tentatively slated for December 2011.

Writing the series has made me reflect on the pros and cons of different kinds of travel. My personal favorite is automobile. I like to be able to stop where I want – to get out and stretch, go for a walk, take pictures, have a snack. Mind you, I’d just as soon someone else did the driving, because I’d much rather watch the scenery than pay attention to traffic.

How about you? What’s your favorite kind of travel, and do you have any romantic (or sexy!) travel stories to share?

Being Conflicted

Wednesday, November 10th, 2010
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Congratulations to those who survived to round two of the Brava/RT Writing With the Stars contest. http://www.rtbookreviews.com/content/writing-stars-vote-best-hero-and-heroine

I read the entries for round two (descriptions of the heroine and hero) and the judge’s comments with interest, noting the emphasis on showing conflict.

It takes many elements to make a good story, and conflict is one of them. A story where a teenage boy and girl meet, fall in love, marry after high school, and live happily ever after is lovely in real life, but generally it’s not something that will engage a reader. The reader wants to see struggle. Even in a romance, where we know the couple will end up together, we want to see obstacles in their path. Why? Conflict involves the reader more deeply and emotionally, it increases suspense, and it gives the characters an opportunity to become better, stronger people.

There are two kinds of conflict. One is external (e.g., he’s a land developer and she’s an environmentalist who wants to preserve the land he has his eye on). For me, that’s often the less interesting kind of conflict. I’m more intrigued by internal conflict. For me, at the core of every good romance novel or novella, there is character growth. For the heroine, realizing that she’s falling in love with the hero challenges her in some way – e.g., to confront fears and vulnerabilities – and the same is true for the hero. That’s the internal conflict, the internal struggle.

Let’s take “Tattoos and Mistletoe,” my novella in Brava’s holiday anthology, The Naughty List, as an example. In it, Charlie Coltrane believes she’s left her unfortunate past behind, but a bequest forces her back to her hated hometown, Whistler. The external conflict is relatively superficial. Her external goal is to fulfil the terms of the bequest (supervise renovations on the B&B she inherited) as quickly as possible and get out of there. LJ Jacoby, the guy in charge of the renos, had a teen crush on Charlie and his external goal is to keep her in Whistler long enough to find out whether they might have a relationship as adults. So, those goals are in conflict. But let’s dig deeper.

Charlie, trying to avoid her past, is determined to play hermit. That might have worked – except she’s falling for LJ. And LJ makes it clear that if she wants a real relationship with him, she’s going to have to deal with the past, and all the pain and vulnerability involved with it. That’s her internal conflict, and her character arc journey.

As for LJ, he was a late bloomer, a high school geek who’s grown up to be a very hot businessman and tool-belt guy. On the outside, he’s big and strong. But internally, at least when it comes to dealing with his prejudiced parents, he’s still a geeky wimp. If he wants Charlie in his life, he has to find the guts to fight for what he wants and stand up for what he believes in – even if it means alienating his parents. That’s his internal conflict, and journey.

What kind of conflicts most appeal to you in romance fiction, and why do they make the stories you love so memorable?

Bravo to our Brava Rising Stars!

Wednesday, October 13th, 2010
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Update: Winner of The Naughty List is Lisa Kessler!

The first round of the Brava/Romantic Times Writing With the Stars contest is up at the RT website. Each of the 10 contestants provided the first paragraph and the last line of her book. You can read them here and vote: http://www.rtbookreviews.com/content/writing-stars-vote-first-paragraph-and-last-line.

I’d like to say, “Well done, ladies!”

It’s a pity the judge for the first round, Sarah Wendell, didn’t feel the same. Let’s just say, she lived up to her reputation by providing rather biting comments. Personally, I read romance to enjoy, not to snipe, and I found all the entries very well done so I’d like to offer my feedback today.

Maeve Greyson, Eternity’s Mark. Wow, your first para certainly got me involved and curious, Maeve. Lots of tension and conflict, and I’m just dying to know who the “infernal woman” is. And your last line is classic romance.

Lisa Kesler, Moonlight. Your heroine intrigues me: she has spunk, and interesting taste in food. She’s going to be fun to get to know. In your last line, I don’t understand the reference to the Pack, but I’m sure I would if I’d read the book, so for me it delivers a lovely “happily ever after.”

Alannah Lynne, Last Call. Something’s obviously on this guy’s mind and I want to find out what it is. Nice action in that first para. The last line indicates to me he’s gone through a major character arc and dealt with some significant issues, and I love to see that in a romance.

Mari Manning, Daddy’s Girl. Your first para nicely sets up lots of conflict for the heroine, and makes me curious to see how it plays out – and who the hero is going to be. The last line has a nice tone, showing a lovely connection between the pair.

KC Klein, Dark Future. I like first person POV, and present tense – and talk about conflict. Lots of unanswered questions and I’d have to read on. Your last line is a nice contrast to the first para: she’s gone from feeling awful to feeling hopeful, and clearly he’s had something to do with it.

Dale Mayer, Tuesday’s Child. Hey, another BC girl. Way to go, Dale! This is a story that grips the reader by the throat. Very dramatic beginning; it sure makes me wonder what’s going on. And I like that the last line gives them a happily-ever-after that’s unique to them.

Diana Quincey, Seducing Charlotte. Well, that’s sure getting the story off with a bang! I can’t imagine anyone not reading past that first para. And the last sentence is a lovely romantic ending, quite a contrast to the opening of the story.

Madeline Smyth, Aliya Arabesque. All the mystery and romance of the desert. You definitely make me wonder what she’s doing there, and how things will play out between her and the Arab. A very appropriate and alpha male ending, too.

Meredith Simmons, Indentured Hearts. I’m guessing she’s rejecting the suitor her father wants her to marry, and that shows her spunkiness and sets up great conflict. I love the bit in the last sentence about the new woman in a new country – she’s obviously freed herself from paternal pressure.

Maria Zannini, Mistress of Stone. You’ve set up a fascinating heroine, and made me wonder if the captain is the hero. I’m guessing there’ll never be a dull moment with this heroine. An interesting ending – because it sounds more like a beginning than an end. Makes me curious.

Everyone’s first paragraphs set up intriguing situations and characters and each one made me want to read on. To me, that’s what a first para is supposed to do, so bravo, ladies! Your last lines give lovely romantic wrap-ups that are appropriate to your characters.

May the future hold more positive reviews than negative ones. And best of luck to all of you as you continue on in the Writing With the Stars contest.

And now, in the spirit of fairness, I’ll toss out my own work out for criticism. Here’s the opening para and final sentence from my latest release, “Tattoos and Mistletoe” in Brava’s holiday anthology, The Naughty List.

First para: Ten years ago, Charlie Coltrane left Whistler, British Columbia, taking only her ratty old backpack and the certainty that she’d never return. And now, here she was, back in the damned place, riding in a cab from the bus station to the B&B she’d inherited.

Last sentence: She went into his arms and tugged him onto the dance floor. “LJ, you’ve got the original Coltrane.”

Now it’s your turn. Want to critique me? Want to critique our contest entrants? Want to critique Sarah Wendell’s comments on the entries? Want to talk about what makes for a good critique or review? Have at it!

I’ll give a copy of The Naughty List to someone who comments—autographed by all three authors: Donna Kauffman, Cynthia Eden, and me.

Susan Lyons/Fox

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Life Alterations

Wednesday, September 8th, 2010
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Right now, there are two things I’m supposed to be doing: writing a blog for the Brava Authors site and preparing for an interview with a friend who’s doing a non-fiction book. And suddenly it occurs to me how those two can fit together.

My friend’s book is about life-altering experiences – the ones, good or bad, that mean everything changes and you start over – and how people deal with them. One thing I realize is that an experience like a divorce or death or major illness means different things to different people. My own life-changer wouldn’t be a big thing to a lot of people. I was laid off a senior management job. Ten days after I’d just bought my first home, and shortly after a three-year relationship broke up. But even at that, it wasn’t the layoff that was the life-changer, it’s the way it was done. Cruelly. One simple sentence – “We’re so sorry to have to lay you off but the organization’s in financial trouble, and we want to tell you how much we value the contribution you’ve made over the last seven years” – would have made all the difference to me. Their coldness made me call into question how I’d spent the last seven years of my life, and the identity I’d formed. I’d worked really hard, knew I was doing a good job, and believed I was valued. Suddenly, because my employer didn’t acknowledge that at all, it made me feel valueless.

But here’s the good part. I questioned my life, my identity, my goals, and I turned my life around. Now, as a writer, I make far, far less money – but my quality of life is so much better. I am, in so many ways, a new person.

So, that was my life-changer, and in thinking about the topic of my friend’s book, I realized it’s also the theme of my novella “Tattoos and Mistletoe” in Brava’s holiday anthology, The Naughty List.

The heroine, Charlie Coltraine, is still in her twenties but she’s experienced two of those life-changers. The first came when, in grade twelve, her alcoholic parents burned their house down and killed themselves in the process, and her aunt made it clear that, while she’d do her duty and take Charlie in, she really didn’t want the trashy daughter of her own trashy sister. The town of Whistler held no higher opinion of Charlie and so she left, all her worldly possessions in a backpack. A high school dropout, alone in the world, she set off to make her own way. And she did, eventually using her artistic talent to becoming a successful tattoo artist in Toronto. Her life was on track – because she’d lost everything and had the strength to build a good life for herself.

Then came the second life-changer. Her aunt died and left Charlie her B&B in Whistler – but only if Charlie went “home” and lived in the B&B while renovations were completed. The last thing Charlie wanted was to see Whistler again, but the thing she most wanted was the money to open her own tattoo parlor. And so she went back, not realizing that in the process she’d have to come terms with her past – because LJ Jacoby, the hot tool-belt guy in charge of the renos, just happened to be the science geek from her past, the boy who’d had a wild crush on the high school bad girl and wasn’t about to let her get away a second time.

The thing Charlie learns – as I learned, and many others have learned about life-changing events – that no matter how traumatic they are, they’re an opportunity. They force us to re-examine our life – and we can dig deep and find the strength to move on and, in many cases, build an even better life.

If I hadn’t been laid off, would I ever have discovered my bliss and become a writer? Quite possibly not; I’d still be slaving long hours at a job that was okay but not great.

Have you had a life-changing experience that seemed terrible at the time, but that you turned inside out to find a silver lining?

Susan Lyons/Fox

Take a Deep Breath

Wednesday, August 11th, 2010
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How often have you heard that phrase? For example: if you need to confront something you find difficult or challenging; you’re upset and want to react in a way that might be inappropriate; you have a thousand thoughts whirling in your head. I know you can think of loads of other situations where a deep breath is a really good idea. But tell me, do you ever actually stop and take that breath? Let me tell you why you should, and I’ll add a second part to that deep breath. Read on!

Each week, I start off with a “do list” of the tasks I need or want to accomplish. This past Sunday, I did exactly that, knowing I faced an incredibly busy but manageable week. Then I returned home from a few days away to find a FedEx final notice. Monday morning I picked up the package and, guess what? In my already busy week, I needed to find two days to do copy-edits on my February Brava, His, Unexpectedly (don’t you love the cover?).

Okay, what to do? Panic? Yup, that was my first instinct. Instead, I decided I would spend the rest of Monday trying to tidy up as many of the assorted tasks as I possibly could, to pretty much clear Tuesday and Wednesday for the copy-edits. Task #1 was preparing this blog.

I’ve been poking my way through a fun little book called A Writer’s Space: Make Room to Dream, to Work, to Write by Eric Maisel, and had thought it might be fun to base a blog on one of his short chapters. So I opened the book where I’d left off and found a chapter on “Quick Centering.” Guess what it’s all about? Taking a deep breath, and marrying it with a thought.

Breathe in deeply for 5 seconds, and as you do, carry the first half of a thought. Then breathe out for 5 seconds and finish the thought. For example:

• [I trust] [my resources]

• [I am equal] [to this challenge]

In one 10-second break, you take time to center and focus yourself. Could that have been any more appropriate to my situation?

So, not only did I calm my panic, I learned a useful tool, and in the process I also wrote this blog so, as soon as I upload it to post on Wednesday, I can cross one thing off my list.

Try this out yourself and let me know what you think. If you have other useful techniques for settling and focusing yourself, please share them. And wish me luck with those copy-edits!

Susan Fox

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Juggling Hats

Wednesday, July 14th, 2010
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You know that saying about changing hats when you shift to a different role – e.g., from work to being a mom? The idea is that at least symbolically it’s easier to make the shift if you think of it as putting on a different hat – or maybe, if you like concrete symbols, you can use an actual change of clothes to help you shift from one role to another.

I made up my “Do List” for the week (the list that rules my life and gives me the illusion I’m actually in control) and realized how many hats I was going to need to juggle, just on the writing side of my life. In my early days as an aspiring writer, I had the misguided impression that writers spent their days writing. Period.

So, what’s the reality? Well, this week I am:
• Writing, researching, and revising a manuscript that’s due August 31, for publication next July.
• Doing this blog plus another at Aphrodisia Authors http://www.aphrodisiaauthors.com/blog/
• Sending a recipe for a Celebrity Cookbook to benefit kids with special needs.
• Preparing ads for Romance Sells magazine for my December and February releases (which means remembering what they’re all about!). By the way, I just got the cover for the February Brava, His, Unexpectedly, the third book in my Wild Ride to Love series. What do you think?
• Sending out ARCs of The Naughty List, Brava’s Christmas anthology. I’ll share the cover for that one too (and, by the way, I’m giving one away at my website this month as part of my Christmas in July contest, so drop on over and enter).
• Starting to prepare an ARC for my December book.
• Booking an ad in RT BookReviews for my December and February releases.
• Answering fan mail (one of my favorite things!).
• Planning the Write On, Vancouver conference in May 2011 (with Michael Hauge as our key speaker; and yes, I’m conference chair) plus planning a librarian-reader event the evening before the conference.
• Preparing promo material to send to conferences and bookstores.
• Brainstorming a bit on the next book, and on the next proposal.
• Maybe, just maybe, finding time to catch up on my bookkeeping – but that one always falls to the bottom of the list until tax time rolls around.

Get the picture? I guess it shouldn’t be a surprise that being a writer really means running a small business. I’m the boss – hurray! But I’m also the writer, researcher, proofreader, admin assistant, publicist, and bookkeeper. And at any given time, what with writing, dealing with copy-edits and page proofs, preparing promo material, blogging, and brainstorming, I have something like half a dozen stories in my brain. That’s a lot of characters, but my imaginary friends are wonderful company.

If you’re a writer, does that pretty much describe your life too? Do you have a method for juggling all those hats and making sure nothing important gets forgotten?

If you’re a reader, what’s your vision of a writer’s life? Do you envision her with a keyboard, a cat, a cup of tea, and a box of chocolates, living in a lovely imaginary world of spunky heroines and dashing heroes? Or do you envision her like an octopus with eight arms, one hand busy writing, another tweeting, another holding a cell phone to her ear, etc. etc. (and of course one hand dipping into that box of chocolates – LOL)?

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If you can’t say something nice

Wednesday, June 9th, 2010
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How often have we heard the advice, if you can’t say something nice then keep your mouth shut?

In general, politeness, tact, and consideration are excellent qualities. What about when it comes to book reviews?

(By the way, I have to say, for the most part I’ve had fabulous reviews from incredibly perceptive reviewers with wonderful taste. LOL. So I’m not here to complain, only to reflect and to ask your opinions.)

Bad reviews make me cringe. Even if they’re not for my book. (If they’re for my books, they pretty much make me want to slit my wrists – or at least slug back a bottle of vino and pass out before succumbing to the desire to slit my wrists.) If they’re for someone else’s book, I think of how much work and emotion the author put into writing that book, and how that can all be belittled with a few words that took a minute or two to write.

But, on the other hand, not every book is fabulous. And if every review was a 5 star blue ribbon top pick one, is that really helpful for readers?

Dishonesty is a bad quality, right? For a person to lie and say they enjoyed a book that they found to be seriously flawed is maybe not such a good thing. But perhaps, if they didn’t enjoy the book, they could just keep quiet and not post the review? That would certainly work on sites like Amazon, where it’s a reader’s choice whether to write a review – and yet, lots of readers post bad reviews. And if a reviewer is paid to review for a magazine and obligated to review all the books that are passed on to her, then she’s bound to get books that she thinks aren’t so great and isn’t it her job to say so?

What I most appreciate in a review – both as an author and as a reader – is a combination of honesty, tact, and perspective. What do I mean by perspective? The self-knowledge to realize that you may be responding positively or negatively to a book not because of how good you think it is, but because of something that pushes a personal trigger. Your sweetie’s a firefighter and has a golden retriever, and so does the hero in the book, and now you’re feeling all soft and mushy for reasons that have nothing to do with the quality of the writing. Or, your ex, who is a total jerk, is named Aidan and the hero of the book is named Aidan and you hate him from the moment you first read his name. Well, sorry, you shouldn’t let your personal issues get in the way of writing a fair review.

Oh yeah, it would also help if you actually read the book. LOL. Everyone’s seen reviews where the reviewer got so many details wrong, it’s pretty obvious they didn’t actually review the book.

Then there are people who review based on the author’s name. “I like Joan so I’ll always give her good reviews” or “I hate Mary because she got published before I did, so I’m going to slam her books.” Sorry, I don’t think that’s fair either.

Even worse, I’ve heard that some reviewers at Amazon have been giving 1 star reviews not because they hated the book but because they hated the pricing of the book. You know what? The author may well hate the pricing too, but it’s not the author’s decision. We have no influence on the prices set by our publishers. We also have limited input on covers, titles, and back cover copy, so please don’t blame us for those either. And please, please don’t penalize us by saying our writing sucks, when your real objection is to the price or cover (things we actually might even object to as much or more than you do…)

Do you find there are some reviewers you really respect, and maybe others you don’t respect? Or particular magazines or review sites that you trust, and others you don’t? How does a reviewer get a good reputation?

I’d like to hear your opinions about reviews. Do you review books, either for a review site or by posting your reviews at places like Amazon, goodreads, etc.? How do you decide which books to review, and will you post a review if you don’t like the book? If you’re an author, how do you feel about the reviews you get?

What’s the ideal review? What’s the opposite of an ideal review?

Thanks for dropping by, and I hope you’ll share your opinions.

Susan Lyons/Fox

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