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Archive for Susan Fox

Want to dance with a pirate?

Wednesday, January 11th, 2012
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I’m brain-dead today and you’d probably rather hear from my characters than from me anyhow. They’re far more interesting!! So I’m going to give you an excerpt from my latest Brava.

In Yours, Unexpectedly, Merilee and Matt, 21 years old, have been together for 14 years. Two days before their wedding, Merilee has doubts and calls it off. Separately, they make the decision to go on the non-refundable Mexican Riviera honeymoon cruise. This is their time to be independent, to experiment, to figure out who they are as young adults. (By the way, if you’d like to take a look at some of my recent photos of Mexico, you can check them out on my website: http://www.susanlyons.ca/books/yours_unexpectedly_info.php)

Now, to the excerpt… One night, there’s a masquerade ball, and both Merilee and Matt come in costume…

“My dance,” a male voice said in a low voice that was almost a growl.

I jumped, and saw that the pirate I’d been ogling earlier stood beside me, holding out his hand. “I, uh . . .” I turned to Ray, who shrugged and turned away, no doubt hunting easier prey.

As the next number started, the pirate grabbed my hand and towed me across the dance floor away from Ray. Where was he taking me? And what was up with all this hand grabbing?

Yet, somehow his hand, with its warm, determined strength, felt different—much better—than Ray’s. “You shouldn’t have done that,” I protested half-heartedly, heart racing from being swept away like this. I hated pushy men. Didn’t I? Matt was always so considerate. And yet the racing beat of my heart was more pleasure than annoyance.

We’d crossed over to a less packed patch of dance floor when he stopped, facing me and still holding my hand. Music was playing again, this time something Latin with a provocative beat, maybe salsa.

“I don’t know how to dance to this,” I admitted. The only formal dance I’d ever learned was the foxtrot, to dance occasionally at weddings.

“Make it up.”

Was his voice always so low and growly or was it part of his act? It sent strange tingles through me, in a way Zorro hadn’t. He released my hand and stared down at me. In this dim light, I couldn’t really see his eyes, which made him mysterious and exciting. Was he just another guy on the make? But if so, why hadn’t he chosen the redhead or the Asian girl in the harem costume? They’d looked pretty available to me.

Given his commanding ways, it surprised me that he didn’t grab me and lead. He’d asked me to dance. He must know how. Still, he didn’t touch me and was obviously waiting for me.

My heart still raced pleasantly and the rhythm of the music called out to me. If ever there was a time to live in the moment . . . Feeling liberated by my costume and mask, and the fact the pirate and I hadn’t even exchanged names, I began to move, letting my hips sway the way the beat demanded.

He began to dance too, in a masculine version of what I was doing. At first he seemed a little awkward, probably getting a feel for those pirate boots, but then he really got into it. The man had excellent moves.

Though our bodies didn’t touch, somehow dancing with him to this music made me even more aware of the way my sequined dress shimmied over my skin, the fringe caressed my thighs, and the top slid across my naked breasts, teasing the nipples and making them harden. The sexy dress, the disguise of makeup and mask, the seductive music, and the dashing pirate with his take-charge manner all combined to make me cut loose even more. After all, if I looked like Roxie, the showgirl, I should act like her.

I remembered what Des said when we were choosing costumes in the shop. If you got it, girl, flaunt it!

And so I flaunted, in a way I’d never had the guts or even the inclination to do before. And the pirate flaunted back, his own movements growing more blatant. So sensual that, yes, they made me think of sex. Dancing with Ray in his Zorro costume had been fun until he got pushy, but this was a whole different thing.

It was only because of the dance, the music, I told myself as the tune changed, one Latin number replaced by another. Latin dance was supposed to be sensual. People danced this way all the time, with sexy confidence and flair. But I never had, and the pirate and I weren’t dancing the formal steps, we were creating something of our own that felt almost . . . erotic. Arousing. My nipples were taut and aching and a warm, tantalizing pulse beat between my thighs.

Not that I’d ever do anything about it. Not now, when Matt and I had just broken up. Still, it was amazing to feel so sexually aware. It wasn’t like me at all. If I’d been drinking, I’d blame it on the booze.

Like that night when Matt and I’d been drinking, joking around, and he’d tied my hands with my scarf and spanked me. It had shocked me, not because I was scared—I knew Matt was nothing like his father, and he’d never really hurt me—but because it was so out of character for him. Then a hot rush of unexpected pleasure made me cry out. Matt immediately stopped, saying he didn’t know what had come over him, begging my forgiveness, and asking me to try and forget it ever happened. He’d so clearly thought I should be appalled that I hadn’t dared admit I’d been turned on. I wanted Matt to love and respect me, not think I was a skank.

Matt . . . Why was I thinking about Matt when I was supposed to just enjoy the moment?

The pirate called me back into the moment by moving closer, his hands brushing my bare arms in a slow, deliberate slide that made my skin tingle, sent heat rushing through my veins, and speeded the pulse in my sex. Someone behind me bumped into me, hard. Thrown off balance, I stumbled forward, beginning to fall. Strong hands caught my upper arms, rescuing me. Holding me, steadying me.

He made me feel safe, and at the same time turned on.

And that made me feel guilty, yet intrigued. I’d never thought of dance as arousing. It was just a fun activity shared with friends. But tonight, it was like the most exquisite foreplay. I should walk away, but I couldn’t. This was the kind of excitement I’d craved and I was going to savor this moment.

His hands moved from my upper arms to my shoulders, then in a slow caress down my bare back, and then over the dress to my waist. Oh, my. My heart raced faster than the music and my cheeks burned. Was this part of finding the new Merilee? She liked to dress up and dance with a hot guy? Well, not just any hot guy, but an anonymous pirate with very smooth moves.

Solely in the interests of research, I let him ease me closer, his hands firm and warm on my lower back. He’d feel every wriggle of my waist and hips, and feel the muscles shift in my butt, which was naked but for a tiny strip of thong—the kind of underwear I rarely wore at home.

A thong that, between my legs, was damp with more than sweat. The only man I’d ever had sex with, ever even kissed, was Matt. I’d never wanted to be with anyone else. Now, though, my body throbbed with a need I barely understood. Not that I’d do anything about it, not beyond dancing.

But now I knew it was possible to feel this way. Some day, when Matt and I had each moved on in our lives, I’d find this again with someone.

Leading now, the pirate synched our motions so our bodies moved in harmony, forward and back, side to side, brushing teasingly, temptingly.

Tentatively, I raised my arms to clasp my hands behind his neck, under those midnight curls of hair, to rest on flesh that burned as warm as my cheeks. He was tall, but not quite as tall as Matt, or maybe it was just my heels that made him seem shorter. Usually, I wore flats or sandals.

Against my forearms, the leather of his vest was hard and rough, a sensual abrasion. His chest, bared almost to his waist by the flowing pirate shirt, was firmly muscled and lightly glossed with sweat. I felt the crazy impulse to lick it.

He moved even closer, or maybe I did. The vest that covered him to mid-thigh was bulky and hard between us. How much better this would feel if he took it off and wore only the loose shirt and those leg-hugging black pants. I wanted to be closer, to rub against him, to feel him respond and grow hard. To—

“No!” On a quick gasp, I lowered my hands and pushed against his chest.

“What’s wrong?” he said in that growly voice.

“This. I’m sorry, I know it’s just a dance, but I . . .”

“What?”

“I have a . . .”

“Boyfriend?”

“N-no. But this isn’t, I mean, it doesn’t feel . . .”

“Good?”

Of course, and that was the problem.

We’d stopped moving and stood still among the other dancers. He hadn’t let go of me, but gripped my hips firmly. Then he said, “Merilee.”

“Wh-what?” I hadn’t told him my name. Then, in my mind, I heard him again. Speaking not in a growly voice now, but— “Matt?” I gaped up in disbelief.

“Good costume, eh?”

There was an edge in his voice, but I didn’t try to analyze it. Stunned, I could only stare at him. This was Matt? I’d never imagined he would choose a pirate costume. He wasn’t exactly a dashing, take no prisoners kind of guy. But then, I wasn’t exactly a racy flapper either. How could I not have realized it was him? Of course, the lights weren’t bright and I couldn’t see anything of him but his jaw—unshaven, which wasn’t like him—and the exposed portion of his chest. His very sexy chest.

“You really didn’t guess it was me?” he asked, sounding annoyed.

He’d tricked me, deceived me. He’d cut in on Zorro and got me to make a fool of myself. “Ooh! How dare you!” I stalked away, weaving through dancers until I reached the edge of the floor, then hurrying toward the door.
Hope you enjoyed this little taste of the book! Let me know what you think.

A Romance For Everyone

Wednesday, November 9th, 2011
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If you’re visiting the Brava blog, then I know you love romance, just as I do. There are so many varieties, aren’t they? We’ll certainly never get bored!

There’s beauty and the beast, opposites attract, marriage of convenience, secret baby, second chance at love . . . I could go on and on. There’s a romance for everyone’s taste.

As a reader, I enjoy all of them. As a writer, I naturally gravitate more often to certain kinds of romance. Whatever the type of romance, I see the romantic journey as a vehicle for two characters to have their lives shaken up and experience some epiphanies. The heroine and hero come out at the end of the book not only in love, but as better, stronger individuals. They face personal demons and learn things about themselves, and that’s part of their struggle to win and be worthy of love.

Often, I write about romances between strangers, where two apparent opposites are powerfully attracted and, in a relatively short period of time, go through all the stages of falling in love: lust and liking, respect, trust, and love. It’s a challenge to make all of that believable in a short time frame, so that the reader truly believes the couple has forged a bond that’s deep and true, and strong enough to survive the challenges that lie ahead of them.

Two of my Wild Ride to Love books, Sex Drive and His, Unexpectedly, are those kinds of romances. They are the “planes” and “automobiles” instalments of the “planes, trains, automobiles, and a cruise ship” series in which three older sisters travel home for their baby sister’s wedding.

The “trains” book, Love, Unexpectedly, is a type of romance that’s more unusual for me, a “friends to lovers” story. How does a guy who’s in love with a woman get her to stop viewing him as just a friend? Well, playing a sexy stranger on a romantic train trip, sure did the trick!


The fourth and final book is coming out on November 29. Yours, Unexpectedly is baby sister Merilee’s romance. It’s a type of romance I’ve never written before.

Merilee and Matt have loved each other from the age of seven. They turned from friends to lovers before the book began, and got engaged, believing their love would last forever. But when Merilee sees her older sisters coming home with passionate new romances, she realizes that things between her and Matt aren’t anywhere near as exciting. In fact, they’re in a comfortable rut—and that’s not how Merilee wants to live the rest of her life. Two days before the wedding, she calls it off. Needing time by herself to think, she decides not to let their non-refundable Mexican Riviera cruise go to waste—not realizing Matt has the same idea. Will a change of scene bring a fresh perspective for both of them, and a new lease on love?

Well, it’s a romance, so you can guess the answer. And I think it’s a good example of what often happens with a long-term relationship, and of why it’s so important to keep growing, both as individuals and a couple.

Now, how about you? What’s your favorite type of romance plot? Why does it resonate with you?

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Categories : Susan Fox

When Do Authors Go Too Far?

Wednesday, October 12th, 2011
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Last week, my book club discussed The Help. The author has been criticized for having the audacity, as a white woman, to write about black women’s experience in the south in the 1960s—and from those black women’s point of view.

The book is fiction, and I’m a fiction writer so I find this thought-provoking. I’m not a man, but I include male point of view in all my novels. I’ve even written from the POV of an African-American man and an Indo-Canadian man. As for my heroines—well, I am a woman, but I’m not a tattoo artist (“Tattoos and Mistletoe” in this month’s release, The Naughty List), nor am I Chinese-Canadian nor Native Canadian, nor am I a sociologist, a wedding planner, or any of the other professions I’ve given my heroines.

I have the audacity to tell a story from the point of view of someone who is different from me. Well, yeah. If I wrote only what I know myself, then I wouldn’t have many stories to tell and they’d be more like autobiography than fiction—and they sure wouldn’t be very interesting!

For me, part of the joy of writing and of reading is to get emotionally involved with people (okay, fictional characters, but they seem like real people to me) who are both different from me and the same as me. It’s about finding the common qualities, the common humanity, within all of us.

I certainly can’t speak for Kathryn Stockett, and I haven’t read or heard interviews with her. (I’m too busy writing, and reading). But, speaking purely as a reader, that’s what her book did for me. It illuminated common humanity in women who seemed very different. And wasn’t that the lesson that the white protagonist Skeeter learned too, over the course of the book?

Did Stockett give an accurate portrayal of “the black woman’s experience in the south”? Of course not, because there’s no such thing. Each black woman is as unique as each white woman, and has her own experience. I think Stockett, in writing fiction, created some memorable characters, both black and white, and I enjoyed living in their fictional world and I learned from them and felt for them.

One of my book club members, also a writer, said that for her, Stockett crossed the line when, as a member of “the oppressors,” she wrote in the POV of “the oppressed.” Personally, I don’t agree. Yes, I would like to see more stories by black women about that period in history, but I don’t think it was wrong for Stockett to include black women’s POV in her book. There are groups that are still, in large part, oppressed in our society, and I don’t think it’s wrong to include them in our stories and give them a voice. For me, it’s an attempt to understand, to relate, and to respect.

What do you think? When does a writer go too far in trying to stand in another person’s shoes and speak in her or his voice?

To Tweet or To Read? That is the Question…

Wednesday, September 14th, 2011
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When you have spare time in your day, how do you like to spend it? Is it because I’m old-fashioned, or because I’m an introvert, or because I’m addicted to reading that my favorite way of spending my spare time is to read a book?

It seems as if so many people are now spending their spare time hooked up to an electronic device – texting, tweeting, using social media.

Authors are told that we need to promote ourselves on social media. Like I said, I’m an introvert, and putting myself “out there” is a tough thing to do. So, I’m curious how many people truly love social media.

Each month I have an opinion poll contest on my website, and this month I’m asking people what they think of social media. Here’s a sampling of the responses I’ve received so far:

• I’d rather spend time talking to or being with a real person.
• I’ve met great people I’d never have otherwise met.
• They take up way too much time.
• I’d rather relax with a good book.
• I only use social media to get freebies.
• The idea of displaying oneself bothers me.
• I have Twitter open on my computer almost constantly.
• Prefer to socialize with a small group of friends – food, wine, movies.
• I don’t care that someone ate pancakes for breakfast.
• Don’t like it; don’t trust it.
• It’s an escape for most people, so it can be good or bad.
• I can friend my grandkids and keep up with their lives.
• We’re losing the ability to communicate face to face, one on one, and that’s a real pity.
• I live overseas and it’s a great way to keep up with family and friends.
• It’s been damaging to people I love.
• Don’t like social media – people are so full of themselves.
• Facebook lets me connect with family who are far away, and feel part of their lives.
• People are putting out too much information about their lives and it’s dangerous.
• I use social media on a daily basis.
• Social who?
• People only say what they think others want to hear – it’s a way to cheat and deceive.
• I have a love/hate relationship with social media.

Well, that’s just an idea of what people are saying, but it’s pretty representative. I’d say that so far it’s coming out that more than 50% of people don’t like social media for various reasons – and a bunch of those who like it are using it mostly to keep up with family and friends.

How about you? If you’re a reader, do you want your favorite authors spending their time on social media (or would you rather they hunkered down at the keyboard and wrote the next book)? How do you use social media? Authors, are you enjoying social media in your business lives?

(Do please pop on over to my website and share your comments there too, and you could be my September prize winner, winning an autographed copy of one of my books and a gift I’m going to pick up at the Victoria, BC, Women’s Show while I’m there staffing the booth for one of my local Romance Writers of America Chapters.)

Hollywood Should Learn From Romance Novels

Wednesday, August 10th, 2011
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Entertainment Weekly just ran an article titled “Why is it so hard to make a good romantic comedy? – talking about movies, of course. When I read their analysis, I had to think that those Hollywood writers and producers really ought to read a dozen good romance novels, and their problems would be solved.

Here are the six problems EW identifies with rom-cons:

1. Often, the chemistry between heroine and hero just doesn’t work. Now, how basic is that? No romance novelist would even think about writing a book about a heroine and hero who don’t have chemistry. I’ll also add, chemistry has to exist with the audience too: the heroine has to relate to and root for the heroine, and fall in love with the hero.

2. Men don’t like rom-cons: they don’t want to act in them and they don’t want to see them. Hmm. Seems to me, the heroes of rom-coms are the actors most women fall in love with but hey, if a guy doesn’t want the female population adoring him, I guess that’s his choice. And it also seems to me, the guys who go to rom-coms with their girlfriends are way more likely to get laid that night! Fortunately for us novelists, our heroes really don’t have a choice; we apply fingers to keyboard, and the hero can’t escape. As for men reading romance, well, the ones who do are (let me repeat myself), way more likely to get laid! Those men know how to please a woman!

3. Hollywood rom-coms don’t do well in foreign markets. Why? Get this – because they often have specifically American titles (e.g., America’s Sweethearts). Does this not strike you as just plain dumb? As novelists, we and our publishers choose titles that suit the market and the book. Wouldn’t you think Hollywood would do the same? Or do they just not care about the huge opportunities with foreign sales?

4. In an attempt to hook the largest possible audience, studios “dumb things down” – and in so doing, they lose a large portion of their audience. Now that seems just plain, well, dumb. Romance novelists know what our audiences are looking for, and we know it’s not clichés and phony misunderstandings. We give our readers intelligent characters and plots, and most of all we give them genuine emotion.

5. Rom-cons lack authenticity; filmmakers don’t put personal authentic details into them. What’s up with that? Are they cowards? I’ve never written a book that didn’t have a big chunk of me in it, and I think that’s true of most novelists. Isn’t that what makes novels resonate with readers?

6. While women love romantic fantasies, they want stories they can relate to and learn from, not dated notions that finding a man will solve all your problems. Well, duh! You sure don’t find many romance novels that are so simplistic and insulting.

So it seems to me, Hollywood would be well advised to take a page from our books. Romance makes up a huge percentage of the fiction market, so we’re obviously doing something right. I’d bet the same basic principles would translate equally well from page to screen. Hollywood, are you listening?

What’s your take on this? What rom-cons do you like, and what makes them special? Which do you hate, and why? What lessons do you think Hollywood can learn from the books we love to read?

Someone who comments will win a copy of His, Unexpectedly, which Publishers Weekly chose as one of the top 10 romances of Spring 2011.

Did You Know Daniel Radcliffe is Only 5 foot 5?

Wednesday, July 13th, 2011
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(Or, how I spent my week in New York!)

Yes, I attended the RWA National Conference in NYC, and it was a memorable week.

First off, I realized it was the 10-year anniversary of the first RWA conference I attended, in New Orleans in 2001. Then, I was wide-eyed, overwhelmed, and intimidated. I ran from workshop to workshop, absorbing knowledge and envying all the published authors.

This year, I had a published author band on my name tag, and a speaker sticker because I was presenting a workshop. I did attend some workshops, but I missed others because I was off meeting with my editors (how cool to be drinking Sancerre in a lovely French bistro, chatting with my editor and assistant editor!) or signing books at publisher give-aways.

A lot has changed in my own career, but there’s also a tidal wave of change in the industry, resulting in part from the huge growth in electronic books but also in part from the economic downturn. Readers’ purchasing habits are changing and everyone who works in the industry—writers, editors, publishers, agents, booksellers, distributors—is facing job redefinition. We have no idea what things will look like in 5 years—or even 1 year! It’s exciting, and scary.

But the week wasn’t all business. I did manage to free up a little personal time in NYC and here are a few highlights:
• Buying an orange cupcake at the Magnolia Bakery in Greenwich Village—the one made famous by Sex And The City. It was yummy! And strolling the peaceful streets of the Village early Friday evening, only a 5-minute subway ride from the hustle and bustle of Times Square.
• Attending a Sunday matinee of The Addams Family, starring the incomparable Bebe Neuwirth as Morticia—then finding out it was her very last performance. The audience was included in the goodbye remarks, and saw the hugs and tears. It was a special New York moment I’ll always remember.
• Have you been wondering where Daniel Radcliffe comes in? Well, I saw him and John Larroquette in How to Succeed in Business Without Really Trying. Who knew Harry Potter could sing and dance like that—and who knew he was only 5’5”—and how fabulous to see Larroquette, at the age of 63 (and the height of 6’4”!), make his Broadway debut.

Yes, it was quite the week, and it’s good to be home and immersed in the next story!

It was also lovely, last Friday, to have the courier deliver a package of cover flats for my December Brava, the 4th in my Wild Ride to Love series, Yours, Unexpectedly. What do you think? Is a bridal gown cover a hook for you?

If you’d like an autographed cover, I’d be happy to send you one. Just pop over to my website and use the Contact form to make the request, and give me your mailing address.

Stanley Cup Musings

Wednesday, June 8th, 2011
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What’s the Stanley Cup, you ask? Well, obviously you don’t live in Vancouver, BC, or Boston right now! My home team, the Canucks, is in the finals against the Bruins in the National Hockey League.

Okay, I have to say right now, I’m really impressed with myself. First, I know—for the first time in my life—that the Canucks and Bruins are hockey teams. Don’t laugh. I’m really not a sports fan (except for figure skating, which I love) and I can never remember which teams play hockey, football, basketball, baseball, or whatever. Second, I’m impressed because I now understand that the Stanley Cup is the big hockey trophy, and that the “finals” (as opposed to the semifinals or quarterfinals) are when the Eastern Conference League winners face off (hey cool, another hockey term!) against the Western Conference League winners.

Vancouver is hockey mad right now. When the Canucks win a game, the streets are filled with cheers and honking until long into the night. Blue and green are the team colors, and you see loads of jerseys on the streets. My day-job office is seriously into all this, to the extent that on game days we’re supposed to wear blue and green.

A year ago, I would have thought all this was ridiculous. I mean, hockey’s about a bunch of grown men chasing a hard rubber disk across the ice, all decked out in ugly padded costumes, wearing helmets and masks, bashing at the puck and at each other with long sticks. For which they get paid a fortune—the kind of money we writers can barely imagine.

This year, on the other hand, I’m avidly watching the playoffs on TV. Have I lost my mind, or is there a reasonable explanation?

Well, the thing that started it all off is . . . the writer’s excuse for pretty much anything—research! My muse’s twisted sense of humor told me that the hero of one of my upcoming books would be a hockey star. Yeah, great, except I knew nothing about hockey and had no particular desire to learn. But one does not argue with the muse. Fortunately, it was hockey season, so I figured I’d watch a game and that would be my research.

Then a really odd thing happened. I kind of enjoyed that game. And wanted to see the next one. And the next.

Why? Well, I got invested. I began to identify with my home team and, despite their flaws, I wanted them to win.

It’s like what happens when I read a good book. I start to care about the protagonist. I begin to identify, to root for them, to groan when they fail and cheer when they win.

The protagonist doesn’t have to be perfect. In fact, it’s better if they’re not, because who can relate to someone who’s perfect? They need to have at least some qualities that appeal to me—like kindness, courage, a sense of humor, but it’s also good if they face some serious challenges and have some growing to do.

For me, that’s the biggest factor in whether I think a book is just okay, or whether I love it. The more I care about the protagonist, get invested in their life, root for them and cry and cheer for them, the better my reading experience and the more memorable I’ll find the book.

How about you? What makes a book memorable for you? And who are you rooting for in the Stanley Cup finals?

By the way, if you’re going to the RWA National Conference in New York City, please come say hi. I’ll be at the Literacy Signing on Tuesday, June 21, from 5:30 to 7:30, and it’s open to the public. If you’re a registrant, I’m presenting a workshop on critique groups on Thursday at 3:15. And – drum roll – Kensington is having a big give-away and signing on Friday from 12:00 to 1:00, and I’ll be there too. Hope to see you!

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Can You Do Two Things at Once?

Wednesday, April 6th, 2011
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I hope everyone who’s at the RT Convention is having a terrific time. Those of us who are staying home just have to find our own great time – and for me, that means keeping company with an excellent book. That’s a single book. One at a time. Not several that I’m in the middle of reading. At least not if the books are fiction, and that’s pretty much all I ever read.

Okay, maybe I just have poor powers of concentration, and I will freely admit to having a terrible memory. Friends tease me about my lists – but if I didn’t write things down, chances are I’d never remember!

But when it comes to reading, I honestly think it’s more that I like to totally immerse myself in the story world and live it along with the characters. If I jump from one story world to another, it’s too confusing and for me the experience seems diluted.

I’m the same with my writing. I write one book at a time. I can pull out of one book for short, intense periods of time – like to spend three days blitzing copy-edits or page proofs of a different book – but that’s it.

How about you? As a reader or a writer, do you concentrate on one at a time, or enjoy going back and forth?


By the way, I have some “hot off the press” news. I’m delighted to announce that my two 2010 Bravas, His, Unexpectedly and “Tattoos and Mistletoe” in The Naughty List, are both winners of the Gayle Wilson Award of Excellence, one for Contemporary Romance and one for Romantic Novella. Lots of happy dancing going on at my house!

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Should Art Be Free?

Wednesday, March 9th, 2011
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This weekend I participated in a writing and publishing workshop at the local library. In general, it was a wonderful experience. But one thing upset me.

Before I get into what it was, I’ll mention that I’m Canadian and this was a Canadian event. If we’d been in the US, maybe things would have been different. Or maybe not. Let me know what you think.

So, here was the thing. Some people seemed to believe that: (1) it’s extremely unlikely that any Canadian fiction writer will ever make a living (albeit a modest one) from their writing; and (2) there’s something rather unseemly about even thinking about your writing in terms of making money.

Excuse me?

Writing is an art, like painting, music, theatre, dance, film. Society needs art. Arguably, it needs artists as much as it needs hairdressers, dental hygienists, and chocolate-makers. All of whom get paid for their work (I know this for a fact, because I pay all of them). But artists are supposed to do it for free? It would be sort of rude and lower class to actually ask to be paid, much less to perhaps make a living?

So I suppose the idea is that we writers should spend 7-8 hours a day, 5 days a week, styling hair or cleaning teeth or making chocolates (hmm, that one might not be so bad…) in order to make a living, which will support our cute little artistic hobby of producing novels (or lovely music, paintings, theatre, etc.).

Seriously? How many books would your favorite author produce if she/he could only spend a couple of days a week at it versus writing full time?

Now of course not every author who puts out one book a year, or three, or even ten, is guaranteed of making a modest living. So many factors go into determining an author’s income. But shouldn’t it be possible – shouldn’t it be a reasonable business objective – to make a living? Why on earth should that be ridiculously optimistic, or unseemly?

And does this perhaps tie into an attitude of entitlement on the part of consumers – an increasingly prevalent belief that entertainment (the arts) should be free? How else can you explain sites where books and music are pirated (i.e., stolen)? Those consumers obviously believe that authors and musicians should not be paid for their work, they should simply do it in their spare time out of the goodness of their creative hearts, to provide delight to their audiences.

Actually, that would be quite lovely – if someone else was paying for the rent, the groceries, the kids’ education, the dental bills, etc. etc. If society gave generous grants to artists to produce, then perhaps artists could afford to send their creations out into the universe free of charge. I quite love that vision of the world. Unfortunately, it’s not the world I live in. In my world, authors and other artists must make a living just the same as hairdressers, dental hygienists, chocolate-makers, and pretty much everyone else.

Is it wrong to hope that creating art can be a career and business versus a cute little hobby?

What do you think?

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Categories : Susan Fox

When Indiana Jones Met Ally McBeal

Wednesday, February 9th, 2011
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One of the most fun things about being a romance writer is that you can take people with totally different personality types, put them together, and see what happens.

In my February book (the third in my Wild Ride to Love series), I pair Indiana Jones and Ally McBeal. Well, okay, not actually. And no, I’m not talking about Harrison Ford and Calista Flockhart’s real-life romance. I’m talking about character types.

Indiana Jones is fascinating, isn’t he? He’s a professor, so you’d think he might be a little stuffy and academic. And he is, but he’s so much more, because he’s also an adventurer who has a sense of mission. He’ll go into the jungle, he’ll even brave snakes in his single-minded drive (or might we say obsession?) to achieve his goal.

Mark Chambers, the hero in my February Brava, His, Unexpectedly, is a lot like Indy. He’s a dedicated marine biologist who has a strong sense of mission. He has devoted his life to saving the ocean and its creatures, and he travels all over the world to do it. Like Indy, he doesn’t spend much time goofing off, doesn’t have much of a sense of humor, and really needs to lighten up.

So, how do you lighten up a guy like that? You send him a free spirit. Someone who’s eccentric, vibrant, impulsive, passionate, charming, and a hell of a lot of fun to be around. Kind of like Ally McBeal.

Heroine Jenna Fallon thinks of herself as a butterfly, drifting from place to place, job to job, man to man, with no intention of settling anywhere. She’s definitely not stupid and she’s not a total flake – she helps autistic kids and surveys endangered species – but her life lacks the sense of purpose that Mark’s does.

Are you getting a picture of how much fun I had with these two? Of course they both had a lot of self-examination and growing to do, but they sure had a great time on their wild ride to love!

I’m thrilled that Publishers Weekly ranked His, Unexpectedly as one of the Top 10 Romances for spring. In a starred review, they called it “a contemporary love story sure to make readers go weak in the knees” and said, “Well-crafted story lines and richly observed characters bolster a strong erotic element in this delightful, memorable romance.”

I’m giving away a copy of the book to someone who comments. Talk to me about character types that appeal to you, ones that drive you crazy, books or movies that put interesting combinations together, or anything else that strikes your fancy! Tell me if you think Harrison Ford is a lot like Indy, and if Calista Flockhart is like Ally, and if they make a good match.

Here’s an excerpt from Mark and Jenna’s first meeting. Her car has broken down and she comes into Marianne’s Diner, sits beside Mark, charms him into sharing a slice of fresh strawberry pie (with whipped cream, of course), then asks him for a ride to Vancouver because she can’t afford the car repairs.

“Put it on a charge card.” He wasn’t a fan of running up credit, but that had to be better than hitching, or bumming a ride with a stranger like him. Not that he wasn’t boringly trustworthy, but Jenna had no way of knowing it.

“No charge card,” she said airily. “I don’t believe in them. If I don’t have the money to pay for something, I don’t need it.”

A good philosophy. And yet she believed in taking rides from strangers. This was one of the oddest women he’d met in a long time. Along with being the hottest and most bewitching.

“How do you know I’m not a serial killer?” he asked.

She grinned. “Serial killers don’t share pie with their victims.”

He frowned at her frivolity. “You just met me.”

“Your camper’s awfully cute.” She flicked her head in the direction of the parking lot.

He had to admit the Westfalia with all its environmental stickers looked pretty innocent. All the same, “Ted Bundy wore a cast and looked like the boy next door.”

She gave a long-suffering sigh. “Yeah, I’d probably have fallen victim to Ted Bundy. So, you’re telling me you are a serial killer? A serial killer who reads the Journal of Experimental Marine Biology and Ecology?”

He snorted. “Of course not.”

Her eyes twinkled. “So we’re good, right?”

She was incorrigible and she’d bedazzled him. Suddenly doubting his own judgment, he asked, “How do I know you’re not a serial killer?”

She chuckled. “Good one. Just when I was thinking you were too stuffy for words.”

He was. Again, she’d misinterpreted his serious question as a joke. Or was she avoiding answering? “Are you insulting me so I won’t notice you didn’t answer the question.”

Another chuckle. Dancing eyes. “A sense of humor, and smart too. As well as having a great bod.”

Huh? Yeah, he was smart, but he didn’t have a sense of humor and his body was . . . functional. And, at the moment, lustful. She’d been checking out his body? Or maybe she really was a criminal and this was another tactic to put him off guard.

Jenna turned to Marianne, who’d returned with the coffee pot. “Marianne, what’s your opinion? Do I look like a serial killer to you?”

The older woman chuckled. “Honey, if you do that boy in, I don’t think it’ll be with a knife.”

“Not all serial killers use knives,” he pointed out. The statistical odds were against the pretty blonde being a killer, but all the same . . . “And, though most serial killers are male, there have been a few female ones.” The thought crossed his mind that if he fell victim to Jenna Fallon, he well might die with a smile on his face.